
Getting smooth tones without weird artifacts is a good start. It's probably best to work on the rest of the color correction and possible unsharp masking in Photoshop. With the black and white prints, I didn't have to worry nearly so much about color space, just getting a full dynamic range. Things get much more complicated with slides, but they have a huge amount of detail and a lot of gorgeous color, so think the extra effort will be worth it!
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